"Why are you mixing paint for a ghost?" she asks, her voice cold in the raw scanlations. "You’ve never finished a single piece for yourself. You always paint for her gaze. Now that she’s gone, you’re free."

The Japanese phrase Toru ni Taranai implies something that is insufficient in quantity or quality to achieve a transition. Throughout the chapter, every emotion Haruki feels is "insufficient":

Based on the ending of Chapter 22, the series is heading toward a major confrontation. The "point of no return" has likely been crossed, and the next few chapters will likely deal with the irreversible consequences of the actions taken here. Where to Read Toru ni Taranai Chapter 22

The characters finally stop talking in circles and start facing their problems, albeit in a painful way.

“Toru ni Taranai” is a popular seinen manga series written and illustrated by Zui Nieki. The story follows Nikawa (a lazy female college student) and Sudou (her junior college mate from the light music club). To escape their constant financial struggles, Sudou proposes they start streaming adult videos online as a “couple,” and Nikawa eventually agrees. The series is an ecchi comedy about two people short of money and was first published on December 25, 2023. It is serialized in Young King , a semi-monthly seinen manga magazine published in Japan by Shōnen Gahōsha aimed primarily at adult male audiences.

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The dark romance manga "Toru ni Taranai," also known as "Trifling" or "Insignificant," intensifies its psychological drama in Chapter 22, focusing on toxic obsessions and unraveling secrets. Characters face a major confrontation and a shocking cliffhanger that promises to alter the series' trajectory. Share public link

The tension that has been building for several chapters finally breaks, leading to some of the most emotional scenes in the series so far.

: We see the male lead struggling to keep his true feelings hidden while performing for an audience.

Writing & pacing

In a shocking move, Reiko does not offer comfort. Instead, she calls Haruki a coward.

Through the juxtaposition of the tag and the image, the chapter asks: What determines whether something is worth taking? Is it market value, emotional attachment, or collective recognition? The narrative suggests that worth is , not an inherent quality. When Keita later discovers an old diary hidden inside the bicycle’s frame, the diary’s “worth” instantly transforms—it becomes a repository of lived experience, a bridge to the past, and ultimately a catalyst for Keita’s own decision to act.

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The return to Keita’s voice after Miyu’s vignette is seamless, as though the two have already been conversing in a silent, unseen dialogue. The structure thereby mirrors the novel’s central claim: that even the most “invisible” lives intersect in ways we rarely acknowledge.