Wide-band pink noise (20Hz–20kHz) to "open up" interconnects and internal wiring.
Pink noise (20 Hz – 20 kHz) for breaking in modulation cables.
These two tracks shift the center frequency to 500Hz, with bandwidths of 100Hz and 1000Hz. This phase focuses on the woofers and midrange drivers, encouraging them to work in synchronicity. This not only "ripens" the drivers but also stabilizes the crucial mechanical connections between the spider, cone, and voice coil. Magic Cd Jean Marie Reynaud Flac
After use, listeners typically report deeper bass, more fluid midrange, and a more open soundstage. Track Guide & Signal Content
Centered on 500 Hz to stress the driver cones and stabilize the mechanical junction between the spider, cone, and moving coil. This phase focuses on the woofers and midrange
Unlike white or pink noise, which can be harsh and potentially damaging, the signals on the JMR Magic CD are meticulously tailored to stimulate the loudspeaker drivers—from the delicate tweeter to the massive woofer—in a balanced, thorough manner. Why Use the JMR Magic CD?
of specific narrow-band random noise, which are up to 10 times more effective than standard music for breaking in equipment. Low-Frequency Stabilization (Tracks 1–5): Narrow-band random noise centered on Track Guide & Signal Content Centered on 500
Noise centered at 1500 Hz to stress the mechanical resonances of chokes and capacitors www.jm-reynaud.com
The CD contains for a total of roughly 40 to 58 minutes (different sources provide varying times). Each track is a precisely engineered signal designed to work on specific parts of your system. Understanding these tracks is vital for using the CD effectively.
User reviews consistently report positive experiences with the Magic CD: